Be that as it may, I have to say, I’ve never seen Adam look more radiant. That’s Adam on the left, our Steadicam operator and genius video guy with Kristina, our awesome New York City-based model, whose eyes are closed so I can only imagine that Adam has bored her into a sleep state. Weird but true: This was actually taken with a real-life DSLR (instead of an iPhone) â” I just zoomed out wide to catch this BTS view. I’ll be using on set from here on out (plus, it has a lot of “cool factor” - it’s pretty slick to hand someone an iPad and there are the images they just saw being made).Ībove: Here’s one of my own Behind-the-Scenes shot, seen in Lightroom Mobile’s Basic Panel layout (see the controls along the bottom?). Those are the reasons I wanted to try-out Lightroom Mobile at the shoot, and I was tickled with the results.
(6) Lightroom Mobile is on my iPhone, too.
#Lightroom free trial on iphone to sync with desktop full
If you have the full Creative Cloud subscription instead (I do), you still get Lightroom Mobile, so either way you’re covered.
Lightroom Mobile is part of the $9.99-a-month Photoshop and Lightroom Creative Cloud bundle deal from Adobe. (5) I don’t have to pay anything extra for any of this â” I don’t have to buy special wireless SD cards, and I don’t have to use a camera that uses SD cards (some of my camera’s can’t use SD cards), and I don’t even have to buy an App. (4) Any changes I make to an image once it comes into Lightroom on my Laptop (cropping, brightness, Vibrance, all that stuff and more) â” those get sent directly over to the person holding my iPad so they see my changes right after I make them. I can brighten it, darken it, add Clarity, open up the shadows, apply Presets - all the same things I’d do in Lightroom in the Basic Panel are all right there for me in for real time, and those changes are sent right back to Lightroom without me having to do anything. (3) I can edit those images right on my iPad, even when I shooting in Raw! If we’re looking at a shot and the Art Director (or client, or MUA, etc.) notices a light stand in the shot and says “Can your crop that out?” I can crop it right there on my iPad while they watch. That is slick! Also, she can be looking at different images than I’m seeing on my screen, so I don’t get in the way of what she’s looking at on the iPad, and vice versa. The Art Director can have this right in her hands, and when she sees a shot she likes, just can flag it as a Pick and her choices are sent right back over to me in Lightroom on my Laptop.
(2) Because the images were now on my iPad, I can hand this iPad to anyone on the set. (1) I was tethered directly into Lightroom during the entire shoot, and I could have the images I tagged on my Laptop in Lightroom transfer wirelessly to my iPad, which worked great. The buttons across the bottom take you to (from L to R), a Filmstrip view the Basic Panel editing Develop Module presets, and Cropping. Dig that Histogram in the upper right corner. You can see the Develop Module Basic Panel adjustments shown here, like White Balance presets Temp and Tint, Auto Tone, Exposure (you swipe to the left to see all the rest).Ībove: Here’s one of the shots from yesterday’s shoot seen in the wide orientation view of Lightroom Mobile. I want this to be a part of my workflow to make my job easier and faster so I thought Lightroom Mobile might do the trick.Ībove: Here’s a test shot I took the night before seen here in Lightroom Mobile. In fact, Terry White had a great article on shooting straight from an Eye-fi Wireless SD card, through an App, right over to your iPad ( here’s the link), but I wanted more than just being able to see them. When I posted this behind-the-scenes iPhone pic yesterday on FB and Twitter, and mentioned I was using Lightroom Mobile (that it running on my iPad), I had lots of questions of how and why we used so I thought I’d tackle that here today on the blog.įirst, I know there are lots of apps (OK, at least a few) that will let you transfer your images from your camera over into your iPad so you can see them during a shoot.
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